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Gunpowder Milkshake builds a creative albeit sort of corny world whose assassin meeting venues are '50s-style diners and libraries who disguise weapons inside hollowed-out books, wherein Karen Gillan puts on her pitched-down Nebula voice and a shiny bomber jacket to solve her issues with her assassin mother (Lena Headey) and save the life of a young girl while running from an all-male gang of professional killers. As someone who suffers from the stiff jaw of a nighttime teeth-grinder, I felt it was maybe bad for my health to watch it, but these are the sacrifices I make for journalism.
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Next was Gunpowder Milkshake, a movie I had been avoiding because its brand of hyperfeminine girl power sets my teeth on edge. As it turns out, she's been poisoned by a radioactive isotope, a cruel, slow execution that will take a whole day to complete, so she arms herself with an arsenal of epipens and sets off to find her would-be killer before she succumbs. Her handler, V (Woody Harrelson), coaches her around her assignments as she hunts down whichever members of the yakuza she's paid to kill that week, until a mysteriously botched assignment leaves her fearing for her life. Mary Elizabeth Winstead plays the titular character, a badass (you will see this word a lot) lady assassin living in Japan, which we know because the credits and location titles appear in kanji first before switching to English. I started with Kate, partially because the screener was going to expire and partially because this was originally supposed to be a review before I decided I actually had a much spicier take about lazy girlboss feminism to write. Because the ad banner trick worked on me, and because I famously love to be critical of this kind of thing, and also simply because I was curious, I decided to throw a girlboss action movie night and steep myself in the ichor of this ass-kicking, gun-toting, f-word-lobbing consequence of fourth-wave feminism. In July alone, we got assassin ensemble movie Gunpowder Milkshake and Jolt, starring Kate Beckinsale as a woman with anger superpowers, and this weekend Netflix is debuting Kate, about a female assassin on a mission to hunt down the gang who poisoned her. You'd be forgiven for not noticing this, because most of them have been unceremoniously dumped on their respective streaming services with only the off chance you may catch sight of one of their banners gliding across your your television when it goes into screensaver mode. Lonely (ft.I don't know if you've noticed this, but we've had a marked increase in female-fronted action movies lately. PartyIsntOver / Campfire / Bimmer (ft.He didn't sing his entire appearance on that song was spoken word. Frank was briefly featured at the end of " LEMONHEAD" from Call Me If You Get Lost ( 2021), where he casually talks about his life. Īfter 2017, Frank started to disappear from the public again, but his blonded RADIO show on Apple Music remained sporadically active. Months before the album's release, Frank also shared his single " Biking," which features Tyler and Jay-Z on its non-solo version. He also performed with Tyler in a surprise show shortly after the album's release. Īfter not appearing on Cherry Bomb ( 2015), Frank returned to Tyler's discography in the tracks " Where This Flower Blooms" and " 911" off Flower Boy ( 2017). Sometime during this period, Tyler made his drum contributions to " Skyline To," off Blonde, which was released in August 2016. He is credited on " Slater" and " Bimmer" from that project, but not listed in the title for " 48." At this point, Frank had started to slip from media and began recording his two upcoming albums, Endless and Blonde. In 2013, Frank appeared on three songs from Tyler's second studio album, Wolf. Around the same time, Frank had Tyler give backing vocals to his own debut single " Swim Good," and appear on the CD-exclusive Channel Orange track " Golden Girl." The track served as a demonstration of Frank's rapping ability. Both T and Frank were featured on the OF posse cut " Oldie" from the group's last project together. He was also featured on " Fish" from the same album. In 2011, Frank was featured on the Goblin track " She," singing the song's first verse and chorus. He appeared on peoples' songs for the first time, including some of Odd Future's own tracks. Frank has been a ghostwriter for other peoples' records before joining, but once he joined, he transitioned from his ghostwriting moniker, Lonny Breaux, to the more famous one, Frank Ocean. Tyler and Frank first connected in 2010 when Frank joined Tyler's collective Odd Future.